Nancy Zhou’s journey as a violinist is as much about finding her voice as it is about embracing her roots. A first-generation American born to Chinese immigrant parents, Zhou’s artistic path reflects the fusion of her heritage, classical training, and a profound love for the violin. Now based in San Francisco, she has studied at some of the most prestigious institutions in the world, including the New England Conservatory, Harvard University, and the Queen Elisabeth Music Chapel in Belgium. But beyond these accomplishments, Zhou identifies first as a “humanist,” an outlook that drives her artistry and informs her mission to create genuine, lasting connections through music.

Zhou’s background is steeped in cultural richness: her father is a violinist, and her mother, a member of a Chinese folk minority group, is a traditional dancer. These influences left a lasting imprint on Zhou’s musical development, particularly in her fascination with folk music and the lyrical beauty it brings to her violin playing. “I identify as a humanist before anything else,” she shares, reflecting on her journey. This focus on humanity and connection has shaped her career, leading her to interpret music not just as a skill or performance but as a language that can foster deeper understanding.

A major breakthrough in Zhou’s career has been her latest recording project, which will be released next summer. This album, entirely for solo violin, explores the currents that have shaped her musical life. The recording includes Johann Sebastian Bach’s first Partita, Béla Bartók’s Sonata for Solo Violin, Eugène Ysaÿe’s Sonata No. 4, and Fritz Kreisler’s Recitative and Scherzo Caprice. Each piece represents a different facet of Zhou’s artistic identity: her reverence for structure, the power of folk influence, and the expressive potential of the violin. “This project is a culmination of everything that inspired me from my childhood,” Zhou explains. For her, Bach represents her fascination with musical form, while Bartók reflects her love for rhythm and folk music, a connection that aligns with her mother’s cultural heritage. Ysaÿe and Kreisler, two composers linked by a deep mutual respect, complete the program, showcasing a legacy of friendship and inspiration.

In addition to her recording project, Zhou’s upcoming season includes a debut with the New Jersey Symphony Orchestra, where she will perform Ralph Vaughan Williams’s The Lark Ascending under the direction of Xian Zhang. This collaboration will mark her subscription debut with the orchestra, and Zhou is eager to explore the iconic piece, which she describes as “thrilling.” The New Jersey Symphony holds a special place in her heart, as she has worked with the ensemble twice before, and each collaboration has strengthened her connection to the orchestra.

Zhou’s journey is influenced by violinists from earlier generations—Fritz Kreisler, Nathan Milstein, Jascha Heifetz, Joseph Hassid, and Arthur Grumiaux—musicians who, she feels, pursued beauty in sound as a natural extension of their artistic curiosity rather than as a manufactured goal. Their voices have inspired her pursuit of lyricism and expression on the violin. Her more recent fascination with Bartók has also reshaped her playing. She even traveled to Budapest to study his work at the Bartók Archives, immersing herself in his music and exploring the rhythms and forms that define it. “He gave voice to true Hungarian music by traveling off the grid and documenting the folk music traditions of the peasants,” Zhou notes, finding a personal connection to Bartók’s ethnographic mission through her mother’s background in folk dance.

Her long-term goals, however, extend beyond the stage. Zhou views her legacy not in terms of accolades but in the impact she can make on others. “If I leave this world having inspired people to fall in love with the violin itself—the instrument’s history, its sound, and its evolution—then I can die peacefully,” she says. For Zhou, the violin is more than a medium for personal expression; it’s a tool that brings people together, bridging cultures and eras. Her fascination with the violin’s versatility drives her to explore different styles and works, from the Western canon to contemporary music by composers from Southeast Asia. In an upcoming project with composer Vivian Fung, Zhou plans to return to her mother’s hometown in China to explore the region’s music, an experience she hopes will deepen her understanding of her own heritage and inspire new avenues for musical storytelling.

As she contemplates her career and personal journey, Zhou emphasizes the importance of finding one’s unique narrative. “It’s a big question, but one I believe every musician should ask themselves,” she says, advocating for a specific approach to storytelling in music. In an industry filled with talented violinists, Zhou believes that having a clear artistic voice is essential for navigating a highly competitive landscape. “Knowing your story and telling it unapologetically can help you avoid frustration and bring clarity to your work.”

Outside of music, Zhou has a surprising passion: skincare. If she weren’t a violinist, she says she would likely be a dermatologist, captivated by the science behind skin health. Her morning routine reflects this interest, as she starts each day with a skincare ritual, a podcast, and a workout, setting a calm and focused tone for her day. This balance between her professional and personal interests keeps her grounded and energized for the demanding life of a touring artist.

Ultimately, Zhou defines success as “the intersection of passion and communal responsibility.” For her, it’s about finding a way to connect her love for music with a broader purpose, creating art that resonates with people and fosters connection. Whether performing on international stages or curating projects that celebrate her cultural roots, Nancy Zhou is building a career that honors her individuality, her heritage, and her dedication to sharing music with the world. Through her thoughtful programming, commitment to self-discovery, and curiosity for exploring new sounds, Zhou is leaving a lasting mark on the world of classical music.

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