We all remember the royal wedding of Prince Harry to the American actress, Meghan Markle, in 2018. I remember getting up early to watch it streamed live as I know many Americans did. Serendipitously, a classical cellist performed in the ceremony that day to a global audience of 2 billion people, in St. George's Chapel at Windsor Castle. He now makes his New York Philharmonic debut and releases a new album called Muse on Decca Classics.

Mark Ainley has become quite an authority in historic recordings of classical pianists. His highly-regarded Facebook page, The Piano Files with Mark Ainley, delves into how pianists in the late 19th and early 20th centuries played the instrument. Concurrently, he is a consultant in the Chinese art of Feng Shui and has been helping people integrate principles of nature to create a sense of balance in their homes and businesses.

In the second week of March 2020, just days before he was slated to perform a recital in Salt Lake City, nearly two years after winning the gold medal in the International Artists Competition of the Gina Bachauer International Piano Foundation, Changyong Shin was visiting local schools as part of Bachauer’s educational outreach program. The day before the recital, with abrupt notice, Salt Lake County shuttered all of the performing arts facilities due to the pandemic.

Designed as a living and growing database that will strengthen as more compositions and recordings are submitted and discovered, African Diaspora Music Project (ADMP) supports Dr. Louise Toppin’s ongoing mission to help bring classical works in various languages and from across the globe to concert halls worldwide.

Grammy Award-winning baritone Lucas Meachem just released his first-ever solo album called Shall We Gather. It's a collection of American art songs that celebrate resilience and togetherness. His wife, Irina, the dynamic collaborative pianist, joins him on this album.

On the approach of Halloween, that time of released spirits, Jenny Lin unveiled new work by William Bolcom in a concert for the ages. The pianist on Oct. 2 at Hudson Hall performed the Pulitzer-winning composer’s ‘Suite of Preludes’, composed during the pandemic. The evening doubled as a celebration of the work of Philip Glass, a seminal influence on Lin’s repertoire and career. The result is a remarkable tribute to two American composing legends, both of whom Lin has worked with extensively.

On Friday, August 20, Tonality & Alexander Lloyd Blake released their second album of socially conscious new choral works: America Will Be. Following their debut Sing About It, released February 2019, the new album expands the award-winning Los Angeles choral group’s mission to “to unify our community through social outreach and serve as a beacon of peace, empathy and justice.” Engineered by Jeff Galindo and produced by Joseph Trapanese for Aerocade Music, the album’s 11 tracks sing of America, in all of its flaws, glory, and, most importantly, possibility.

Berlin-based composer-producer-pianist Meredi joins me on the Classical Post podcast to discuss the musical fusion of German nightclubs with a classical music backbone. In essence, this is her new album called Trance, released on the label Modern Recordings. As an artist who has garnered millions of streams online between all of the various digital services, ELLE magazine declares, "Meredi composes music which shines like stars."

Cellist and composer Peter Gregson joins us on the Classical Post Podcast, whose music you've most likely heard on Netflix's crazy-popular Bridgerton, and HBO's The New Pope starring Jude Law and John Malkovich. His output even reaches the heights of haute couture in campaigns for Balenciaga, Burberry, and Dior. He’s just released a new album on the Deutsche Grammophon label called Patina.

Washington Arts Ensemble, a newly formed nonprofit presenting classical music concerts in Washington, DC, is slated to run a series of dynamic chamber music events at the historic Arts Club of Washington over the next year.

Concert violinist Alexi Kenney joins us on the Classical Post Podcast. He just released a visual album earlier this year that was filmed in wine country at a fabulous estate in Sonoma, California. The resulting series of videos from this album — that you can watch on YouTube — features Alexi playing amidst this dynamic landscape of Vineyard-bliss and contemporary sculptures.

Michelle Cann’s journey from Florida to the faculty of the Curtis Institute of Music is a remarkable story of perseverance and incredible talent. Cann was born into a family that nurtured her musical aspirations, but, as a person of color, finding her way in the overwhelmingly white world of classical music presented special challenges.

Our podcast guest today is Danielle Eva Schwob. The New Yorker hails her as a “notable cross-genre composer”, who writes concert works, experimental electro-rock, and film scores. Many listeners should care about her work because she is redefining what it means to be a "serious composer". Notable presenters have featured her work, like Lincoln Center and Le Poisson Rouge, and she has received commissions from the American Composers Forum and New Music USA. But unlike many composers who run in these circles, she has her finger on the pulse of music for big name Hollywood movies. She's worked on the music team for Manhattan Night starring Adrien Brody, and the film Mother! starring Jennifer Lawrence. We discuss her work and more, including her new album, Out of the Tunnel, featuring PUBLIQuartet.

The revered vocal group VOCES8 release a new album, Infinity.

The 2021 American Pianists Awards winner Kenny Broberg discusses future plans and looks back to his first piano lessons.

For her new project for Leeds Opera Festival, Sarah Sayeed (composer/sound designer/musical director/writer) has created a new work which reimagines Holst’s epic opera, Savitri for 21st century audiences and society. In collaboration with writer Jaspreet Kaur, they offer a modern take on the epic Sanskrit tale, painting Savitri in an entirely new light. The work will receive its world premiere at Leeds Opera Festival this August. Ahead of this, we spoke with Sarah about her ambitions for the project, her take on Savitiri, and plans for the future.

New York-based violinist Curtis Stewart released his post-classical coming of age album “Of Power” on June 18. Inspired by Black Lives Matter and featuring songs of resistance and resilience for violin, voice, and electronics. “Of Power” features original compositions as well as reimagined works by Charlie Parker, J.S. Bach, Coleridge-Taylor Perkinson, Childish Gambino, John Coltrane, Paganini, Elektra Kurtis, Ysaÿe, and Stevie Wonder. Created entirely during the COVID-19 lockdown releasing on the Bright Shiny Things label with five tracks mastered by Prince’s sound engineer Derek Linzy from Paisley Park.

Countertenor Randall Scotting is carving out a path that is uniquely exciting in the opera world. Singing to sold-out crowds at Covent Garden’s Royal Opera House and working on a newly filmed production at Seattle Opera, he’s operating at a level that has positive momentum, yet grounded in his roots as a “Colorado boy”. Listen to our interview with him on the Classical Post Podcast.

This podcast conversation highlights Elena Urioste’s vibrant energy from her multi-cultural background and how that infuses her everyday style. Plus, she shares how she built a thriving yoga community and garnered a loyal fan club from the depths of lockdown.