Kate Liu: From Chopin Competition Laureate to Visionary Pianist — New Beethoven & Brahms Album

Kate Liu

Kate Liu’s journey as a pianist is one of unwavering dedication, introspection, and the pursuit of a singular artistic voice. Born in Singapore and raised in the United States, she began playing piano as early as she can remember. “I really don’t recall a time when I wasn’t playing piano,” she says. Her path led her through the prestigious halls of the Curtis Institute of Music in Philadelphia and later Juilliard in New York, before she settled into a career that now balances concertizing worldwide.

While every artist’s career is filled with milestones, one stands out above the rest for Liu: winning third prize at the Chopin International Competition in Warsaw. “That was the moment that launched everything,” she says. “The competition has such an incredible following, and in the digital age, with YouTube and social media, the exposure was enormous.” The impact of the Chopin Competition was not just about recognition—it gave her the platform to build the career she has today.

For Liu, sound has always been at the heart of her artistry. “It’s the entry point into a composer’s world,” she explains. “It’s also the way I express my own personal voice.” Her influences include pianists Grigory Sokolov, Arkady Volodos, Mitsuko Uchida, Radu Lupu, and Murray Perahia—artists known for their depth, individuality, and commitment to musical storytelling. “I used to try to emulate them, to absorb what they were doing,” she recalls. “And over time, I found my own way, my own sound.”

A special place in her career is occupied by the Chopin and his Europe Music Festival in Warsaw (presented by The Fryderyk Chopin Institute), where she has been invited nearly every year since her competition win. “It feels like a second home,” she shares. “The hall is perfect, the pianos are incredible, and the whole atmosphere is so welcoming. Every time I return, I feel deeply connected to my musical journey.”

This season, Liu’s latest project is an album released on Orchid Classics, featuring Beethoven’s Sonata Op. 110 and Brahms’ Sonata No. 3—two pieces that have been with her for a long time. “These works hold a special place in my heart,” she says. Beethoven’s Op. 110 is one of his late sonatas, composed when he was completely deaf. “The sound world is so profound—it’s tender, introspective, and filled with this quiet triumph.” Meanwhile, Brahms’ Sonata No. 3 represents an early work from the composer that already carries a sense of weight and maturity. “It’s young Brahms, but it already sounds old,” she notes. “I love that about it.”

With the album just released, Liu is already looking ahead. Upcoming performances include Chopin’s Piano Concerto No. 2 with both the Zagreb Philharmonic in Croatia and the Ann Arbor Symphony in Michigan. She will also return to Warsaw for another recital, continuing her close connection with the city that launched her career. “I’m also thinking about my next album,” she reveals. “There are ideas forming, but I want to make sure the program is just right.”

Despite the growing pressures of the classical music industry—where self-promotion and visibility play an increasing role—Liu remains focused on her artistic mission. “For me, it’s about having something valuable to say,” she explains. “I want my interpretations to bring composers to life, to make their music feel as immediate and relevant as possible.” She hopes that through her playing, listeners will gain a deeper appreciation for the genius of composers like Chopin, Beethoven, and Brahms.

If she could collaborate with any artist, dead or alive, Liu would choose baritone Matthias Goerne. “I love Lied repertoire,” she says. “That would be a dream collaboration.” Outside of music, she enjoys drawing cartoons and sketches, a passion that predates even her piano playing. “I wouldn’t say I’m incredibly talented at it,” she laughs. “But I’ve always loved it.”

For Liu, success is about contentment—not just with career milestones but with everyday life. “It’s about being satisfied with where I am, knowing that I’ve made a difference in music and in the world around me,” she reflects. With her deeply personal interpretations and a career built on substance rather than spectacle, Kate Liu continues to shape a legacy that is as introspective as it is profoundly moving.

Listen to the episode today on Apple Podcasts, Spotify, or wherever you listen to podcasts.

📣 Free Masterclass for Artists

If you’ve enjoyed this conversation, I’d love to share something I created that expands on many of the ideas we explore here on Classical Post.

I recorded a free Masterclass designed specifically for classical musicians who want to:

✅ Book more concerts

✅ Increase their performance fees

✅ Build visibility with presenters, agents, and collaborators

This is the same visibility strategy I’ve used in my work with artists at Gold Sound Media—approaches that have helped them land major engagements and grow their careers in meaningful, measurable ways.

📩 Enter your email below and I’ll send you the link to watch the Masterclass on YouTube.

It’s practical, actionable, and designed for artists who are ready to stop waiting and start being seen.

– Jonathan Eifert
Creator, Classical Post
Founder, Gold Sound Media

    Discover More

    Next
    Next

    Sebastian Currier: The Composer Blending Tradition & Innovation in Contemporary Music