Leah Hawkins: A Soprano Redefining Authentic Expression on the Global Opera Stage
Leah Hawkins
Leah Hawkins’s journey as a soprano has been one of discovery, transformation, and self-realization. Born and raised in Philadelphia, Hawkins first encountered opera at the age of 12, an experience that immediately sparked a lifelong passion. “I went home to my parents and said, ‘I want to do that,’” she recalls. Since then, she has carved out a unique path in the operatic world, blending her dynamic vocal presence with a deep commitment to honesty and self-expression.
Hawkins’s formative years took her from an arts high school in her hometown to Morgan State University, where she earned her undergraduate degree, and then to Yale University for her master’s studies. Initially training as a mezzo-soprano, she transitioned to the soprano repertoire during her time at the Washington National Opera Program. The shift, guided by mentors who recognized her potential in the soprano range, marked a pivotal moment in her career. “At first, I resisted it,” she admits, “but it opened up a whole new world for me.”
Her professional breakthrough came at the Metropolitan Opera’s Lindemann Young Artist Development Program, where her performance in Porgy and Bess captivated audiences and earned her widespread recognition. It was a bold artistic choice during a small role in the production—adding high notes and ornamentation—that caught the attention of her peers and the public. “It was a moment where I decided to fully go for it,” Hawkins recalls. This fearless attitude has become a hallmark of her career.
Another defining moment came when Hawkins was invited to perform at the Metropolitan Opera’s memorial service for her idol, Jessye Norman. Singing in honor of Norman, a towering figure in the history of opera singers, was a full-circle moment for Hawkins. Her high school geometry teacher had introduced her to Norman’s recordings, and the memorial performance felt like a culmination of her artistic journey. “To honor my hero in that way was the greatest privilege I could have asked for,” she reflects.
This season marks an exciting period for Hawkins as she steps into new repertoire and roles. She recently debuted her self-curated recital series, C'est Ainsi Que Tu Es, which translates to “That Is How You Are.” The project emerged from an artistic and personal identity crisis, allowing her to reconnect with her purpose as an artist. “I needed something to bring me back to myself,” Hawkins explains. The recital series, which premiered at the Park Avenue Armory, has been a turning point in helping her find clarity and power in her artistry.
Hawkins also looks forward to her first performance as Aida with Arizona Opera, an opportunity to explore Verdi’s demanding soprano repertoire. “Aida has always been a dream role for me,” she shares. Arizona Opera provides a welcoming environment for her to make this debut, allowing her to refine the role before taking it to larger stages. Additionally, she will reunite with the Philadelphia Orchestra for Beethoven’s Ninth Symphony, marking her fourth collaboration with the ensemble and her second time performing the soprano solo under conductor Yannick Nézet-Séguin.
As she continues to build her career, Hawkins remains keenly aware of the challenges of self-promotion in a rapidly evolving industry. Social media, she acknowledges, has been a hurdle. “It’s hard to balance being real and honest while also promoting your work,” she says. However, Hawkins is beginning to embrace these platforms as a way to connect with broader audiences, including those outside the classical music world. “I want to reach people who might not normally consider coming to an opera,” she explains.
Hawkins’s vision for the future extends beyond the traditional boundaries of opera. She aspires to perform on a global scale while building bridges between classical music and mainstream culture. Collaborating with friends in the fashion and entertainment industries is one way she’s already making these connections. Recently, she modeled for a jewelry designer whose work has been worn by Beyoncé and Janelle Monáe, opening doors to new audiences and opportunities. “It’s about finding ways to connect the worlds we move in,” she says.
When reflecting on her legacy, Hawkins speaks of wanting to inspire others through authenticity and self-actualization. “I want people to feel seen, heard, and appreciated,” she says. For her, success is defined not by accolades or fame but by achieving peace and ease in all aspects of life—work, play, and relationships. “If I can leave behind a legacy of honesty and empowerment, then I’ll feel I’ve done my job,” she concludes.
Leah Hawkins is a soprano who combines technical brilliance with a bold, authentic voice. Whether on the operatic stage, in concert, or through her self-curated projects, she continues to break barriers and redefine what it means to be an artist in the 21st century. Through her fearless performances and commitment to connection, Hawkins is carving a path that is as inspiring as it is powerful.
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