Conductor Farkhad Khudyev: Bridging Cultures and Nature Through Music
Farkhad Khudyev
Farkhad Khudyev’s journey from Turkmenistan to the conductor’s podium in the United States is a testament to the transformative power of music and perseverance. As the Music Director of the University of Texas Symphony Orchestra and a finalist for the Eugene Symphony's Music Director position, Khudyev has carved out a unique space in the world of classical music, fueled by a passion for nature, cultural fusion, and a commitment to balance in life and music.
Khudyev’s early years in Turkmenistan were shaped by a love of music, cultivated within a family of amateur musicians. “My brothers and I would perform concerts at home,” Khudyev recalls, noting how this shared experience with his family laid the foundation for their future in music. His musical path took a decisive turn when Peace Corps volunteers in Turkmenistan introduced him to Interlochen Arts Academy, marking the beginning of a journey that would eventually take him to Oberlin, Yale, and beyond.
However, it was a shift from violinist to conductor that defined Khudyev’s professional breakthrough. His violin teacher at Oberlin, after observing him conduct a rehearsal, invited him to his home and encouraged him to pursue conducting. Khudyev recounts how that pivotal conversation planted the seed for his transition from violin to conducting, a change that felt both natural and daunting. “I had to learn how to think beyond the violin, about people and the world,” he says, reflecting on how conducting opened up a new way of expressing the inner world he had cultivated through years of musical study.
For Khudyev, music is more than an art form—it is a lens through which to understand the world. He draws profound inspiration from nature, which he describes as a constant source of wisdom. “Every second spent in nature is hours of inspiration on the podium,” he says. This deep connection to the natural world informs his approach to music-making, allowing him to bring a sense of organic flow and harmony to his conducting.
Khudyev’s fascination with late works of composers such as Shostakovich, Sibelius, and Beethoven speaks to his desire to explore the depths of music. He refers to these works as “subconscious music,” where the inner thoughts and emotions of the composer emerge most profoundly. Conducting Shostakovich’s 15th Symphony, for example, was a revelation for Khudyev, who sees these later works as opportunities to connect with the multidimensional aspects of a composer’s mind.
Beyond his technical skills as a conductor, Khudyev is committed to using music as a means of connecting cultures. His piece The Sounds of Eternity, a fusion of Western and Eastern musical traditions, is a powerful example of this philosophy in action. Incorporating ancient instruments from Central Asia and the Caucasus, along with traditional mugham singing, the composition was premiered in March 2023 and marked a transformative moment in Khudyev’s life. “It brought two worlds together and opened different horizons to people in both worlds,” he says. This synthesis of diverse cultural influences is central to Khudyev’s mission as an artist, using music to build bridges between different traditions.
Looking ahead, Khudyev’s goals are deeply rooted in expanding access to music and spreading its transformative power across the globe. He believes music offers a unique wisdom, allowing people to connect with the past, present, and future in a way that few other mediums can. “Music is beyond everything,” he says. “It allows people to think and find out who they are.”
Khudyev’s vision for the future also includes a strong emphasis on collaboration. He advocates for greater partnerships between classical musicians and folk traditions, believing that these collaborations offer fresh perspectives on standard repertoire. His work with the Taipei Chinese Orchestra, for instance, opened up new ways of understanding and interpreting the works of composers like Beethoven and Brahms through the lens of ancient folk traditions. “Folk music carries wisdom,” he explains, noting how these collaborations breathe new life into classical music by connecting it with deeper, more ancient roots.
When asked about his definition of success, Khudyev offers a simple yet profound answer: balance. “Real success is finding balance,” he says. For him, achieving balance in life and music is the ultimate goal, one that brings constant inspiration and fulfillment.
Farkhad Khudyev’s journey is one of continual evolution—whether it’s mastering a new score, collaborating with folk musicians, or exploring the subconscious realms of a composer’s mind, he is always seeking new ways to connect, inspire, and bring meaning to the world through music. As he continues to rise in the world of classical music, Khudyev’s commitment to balance, nature, and cultural fusion will undoubtedly leave a lasting legacy.
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